Chronology

Note: Italicized comments are by Jack Tworkov. Unless otherwise noted all references originate from Mira Schor, ed. Extreme of the Middle: The Writings of Jack Tworkov (New Haven and London: Yale University Press, 2009). This chronology includes major one-man exhibitions, important group exhibitions in which Tworkov participated, as well as historic events and significant exhibitions that may not have included Tworkov’s work.

Complete Curriculum Vitae for Jack Tworkov  |  View Photo Gallery

JACK TWORKOV (b. August 15, 1900, Biala, Poland; d. September 4, 1982, Provincetown, MA)

1900
Jack Tworkov was born Yakov Tworkovsky in the village of Biala, a small village on the northeast border of Poland with Russian. At the time of Tworkov’s birth, Biala was a large garrison town of the Imperial Russian Army. Tworkov’s father (Hyman Tworkovsky), was a tailor who worked for the Russian Army. The record of the exact date being lost, his father, in registering him for Public School gave the date August 15, 1900 for his birthday. This, as his mother (Ester Singer) explained, was based on the fact that Yakov was born “in the middle of the month Ellel.”
1913
FEB 17. The Armory Show opens in New York City, and with it, Modernism arrives in America.

SEPT 26. Thirteen-year-old Yakov immigrates to America with his younger sister, Janice, and their mother. Reuniting with their father, who had opened a tailor shop on Ludlow Street, and taking on the name of their sponsor Bernstein, the family resides on Eldridge Street in Manhattan’s Lower East Side.

I was born Yakov Tworkovsky. But some brother of my father’s went to America around 1890, and took the name Bernstein […] Subsequently all the remaining brothers who emigrated […] all became Bernsteins after crossing the Czar’s borders in order to prove that they were blood related to ‘person to who destined.’  Thus I left Poland Yakov Tworkovsky and arrived Jacob Bernstein. (EXTREME p.4)

Brother and sister struggle to assimilate to American culture at the turn of the century.

The first years in New York I remember as the most painful in my life. Everything I loved in my childhood I missed in New York, everything that had been painful in my childhood grew to distressing proportions […] as I had to face a new culture and adolescence at the same time. (EXTREME p.9)

Enrolls in grammar school, and skips several grades, then attends Stuyvesant High School. There, at the urging of his mechanical drawing teacher, he attends a sketch class after school. He aspired to become a poet.

1919
Begins attending an evening drawing class organized by a sculptor in a settlement house near his home on the Lower East Side.
1920

Leaves home and finds refuge in Greenwich Village. Enters Columbia College to major in English with aspirations of becoming a poet. Joins his sister Janice and her friends at their informal sketching sessions; begins an association with Lee Gatch.

In my early twenties, I became an avid reader of contemporary poetry and prose: Pound, Eliot, Frost, Cummings, Moore, Dos Passos, Joyce and Proust. (EXTREME p.9)

1921
Visits museums and gallery exhibitions of painting and ‘falls in love with the modern school.’ Visits the Brooklyn Museum and is overwhelmed by the paintings of Cézanne.“As early as 1921, when the Brooklyn Museum staged an exhibition of French painting which included fourteen Cézanne canvases and twelve by Matisse, many local painters had been overwhelmed.  Jack Tworkov for one never forgot the impact of Cézanne, whose anxieties and difficulties came to mean more to him than Matisse’s liberty and sophistication.” (Dore Ashton. The New York School: A Cultural Reckoning. New York: Viking Press, 1979, p.27)
1923
Leaves Columbia College. Jacob and Janice, adventurous and rebellious, reclaim their original family name; modifying it slightly, he becomes Jack Tworkov. Enrolls in classes at the Art Students League with Guy Pène du Bois. Enters National Academy of Design, where he studied with Ivan G. Olinsky and briefly with Charles W. Hawthorne who would introduce both Jack and Janice to his artist colony in Provincetown, MA.JUNE. Jack and Janice hitchhike their way to Provincetown to spend their first summer with the intention of studying with Hawthorne. Finding Hawthorne too structured, Tworkov aligns himself with Ross E. Moffett, through whom he met Karl Knaths; Tworkov is closely associated with Knaths until about 1935. Tworkov meets Edwin Dickinson. Upon his return to New York, Tworkov works as an assistant at Rene Bufano’s Marionette Theatre.
1924
Continues classes at the National Academy.
1925
Leaves National Academy of Design and returns for a year to the Art Students League where he studies with Guy Pène du Bois and spends one winter under Boardman Robinson; shares a studio with Lee Gatch.
1926
Participates in the group exhibitions at Provincetown Art Association, through 1931.
1927-28
Works as an assistant stage designer and puppeteer for John Dos Passos’ Playwrights Theatre.
1928

Returns briefly to Art Students League; Joins New England Society of Contemporary Art.

At one time or another I worked as a cutter in a hat factory, at Nedicks, in a wire factory, as a packer at Stern’s, packer in a dress shop, books salesman at Lord & Taylors, skate salesman at Macy’s. I mention these jobs as sometimes-inevitable events in an artists’ career. I avoided jobs in the summertime and from 1924 went almost every summer to Provincetown. (November 1933 John Simon Guggenheim Memorial Foundation, Fellowship Application)

JUN 28. Becomes a naturalized citizen of the United States.

1929
The Museum of Modern Art is founded. Alfred H. Barr, Jr., is its first director. Tworkov sells enough paintings so as to spend the year painting in Provincetown; exhibits with Société Anonyme, New York; during this period he paints figures, still lifes and landscapes; a strong influence of Cézanne appears, which continues into the next decade.JAN 27. Exhibits in the One Hundred and Twenty-fourth Annual Exhibition of Painting and Sculptureat the Pennsylvania Academy of the Fine Arts, Philadelphia (the first of six Academy shows in which he would participate).OCT 24. The New York Stock market crashes, signaling the beginning of a twelve-year Great Depression in America.
1931
Gertude Vanderbilt Whitney establishes the Whitney Museum of American Art.
1931-33
Teaches at Fieldston School of Ethical Culture, New York, NY.
1931-35

Participates in group exhibitions at Dudensing Gallery, New York. Work features representational painting inspired by landscapes and interiors that push compositional abstraction.

Although I admired the modern painting of Europe, I never came under the influence of any one artist or school […] Recently I felt that most painting modern or conservative was terribly remote from conditions that were really, really affecting people’s lives. This feeling, I’m sorry to say, has not matured in any finished work, but I strongly hope it will in the next few years (1933 Guggenheim Application)

1933
MAY 25. Becomes a naturalized citizen of the United States.
JUL.  Brief trip to France. The first since emigration to America.  Travels by train to South of France to visit his younger sister, Janice Biala, who at the time was the companion of the English novelist, Ford Maddox Ford.
1934-41
Begins working on the U.S. Treasury Department Federal Art Project of the WPA (Easel Division). Begins association with such artists as Willem de Kooning, Franz Kline, and Mark Rothko, among others.
1935
OCT 28. Marries his third wife, Rachel “Wally” Wolodofsky. He was first married to Grace Pfieffer in the early 1920s. Pfieffer’s family ran the Pfieffer’s Frame Shop and artist’s supply store in Provincetown out of a saltbox house next to the Unitarian Society on Commercial Street west of Town Hall. He met his second wife, Florence ‘Toni’ Willison, “in the summer of 1923, when he and Janice performed one-act plays put on by the Provincetown Players. This marriage ended some time before 1928.
1936-38
American Abstract Artists group came into being. Held first exhibition at the Squibb Gallery in New York City in spring of 1937.
1938
OCT. Participates in a group exhibition at Municipal Art Gallery.
1939

JULY. Daughter Hermine is born.

NOV. Biala, returns to New York from France; an event precipitated by the death of Ford Maddox Ford, and the heightening of the Nazi regime in France. Upon her arrival, Tworkov reacquaints Biala with his community of friends. Among them is Willem de Kooning.

DEC 31. Tworkov’s first one-man exhibition in New York opens at ACA Gallery. Critic Howard Devree remarks, “No one is likely to doubt the earnestness of Jack Tworkov…[he] is willfully crude at times and distorts to heighten his effects…Grimness is to be felt in all his work…” (Howard Devree. “A Reviewer’s Note Book,” The New York Times, January 7, 1940)

1941

Tworkov leaves the Easel Division of the WPA Federal Project and later states:

“Although many distinguished contemporary artists (among them Milton Avery, Stuart Davis, Arshile Gorky, Willem de Kooning, Jackson Pollock, and Theodore Roszak) were ‘alumni’ of the WPA project, Tworkov, unlike some of the others, felt no freedom of creation under what he terms a “forced draft.” He believes that the project, with its ideology and collective thinking, acted as a negative charge that helped galvanize abstract expressionism into existence.  “It was the worst period of my life,” he says, as quoted in Newsweek (August 5, 1963), “an extremely bleak, dreary, and stupid period.  If I had to live my life over again on the project I wouldn’t do it.”(Current Biography. (Artist: Jack Tworkov) March 1964, vol. 25, no. 3, pp. 37-39.)

SEPT 16. Participates in Two Hundred American Watercolors at Whitney Museum of American Art.

OCT 23. Participates in New Directions in American Painting at The Carnegie Institute, Pittsburgh.

DEC 7. Japan launches a surprise attack on American naval forces at Pearl Harbor, Hawaii. The United States declares war on Japan and enters World War II (DEC 8).

1942

Fall. First Papers of Surrealism show at Reid Mansion on Madison Avenue is organized by Breton and installed by Duchamp (16 miles of white string).

OCT 20. Peggy Guggenheim opens her Art of the Century with interior designed by Frederick Kiesler. The gallery becomes a focal point for émigrés. Peggy’s assistant from 1942-44, Howard Putzel, sought out young American artists who were working in biomorphic abstract style and this led to the first one man shows for Pollock, Baziotes, Hofmann, Motherwell, Rothko, Still and Pousette-Dart.

1942-45
Tworkov, like many of his colleagues, stops painting and takes a job working in the war industry as a tool designer employed by the Eastern Engineering Company.
1943

JAN. Daughter Helen is born.

NOV 9.  Jackson Pollock’s first one-man exhibition opens at Art of this Century, New York.

1944
Experiments with automatic drawing.
1945

MAY 8. Germany signs an unconditional surrender and victory is celebrated in Europe.

AUG 6 + 9. The United States conducts two atomic bombings against the cities of Hiroshima and Nagasaki.

AUG 14. Victory over Japan Day. Tworkov takes his two daughters to Times Square as America celebrates victory. World War II would end on September 2.Tworkov resumes painting but only intermittently. Becomes interested in objects as a theme and experiments with abstraction based on the figure. He works out of the family’s crowded apartment on West 23rd Street, but later rents a studio on East 19th Street, which he shares with another painter named Donald Cole. Continues pursuit of compositional abstraction.

1946
FEB. The Charles Egan Gallery opens in a small space on the top-floor at 63 East 57th Street. Many artists, most likely including Tworkov, help in preparing the space for exhibition. Egan’s first exhibition is a show of gouaches by a Swiss artist, Otto Botto, who had arrived in the United States in 1922.
1947

FEB 13. Tworkov is laid off from Eastern Engineering. Hoping to be rehired, he uses the interval to paint. It is likely at this point, despite the financial risk, Tworkov decides to fully commit himself to the life of an artist.

OCT 25. Tworkov’s first one-man exhibition at Charles Egan Gallery opens. Art News reports “Tworkov’s fine line, the elegant signature of each brush stroke, the isolated forms held on the surface with halos of color. Tworkov’s color [...] has a kind of magic; rich and silvery.” (“Jack Tworkov at Egan Gallery,” Art News vol. 46, November 1947, p. 42.) Tworkov continues to exhibit at Charles Egan Gallery through 1954.

1948

Becomes a part-time drawing instructor at the School of General Studies, Queens College, NY, a position he would hold until 1955.

JAN 25. Participates in The One Hundred and Forty-third Annual Exhibition of Painting and Sculpture at the Pennsylvania Academy of the Fine Arts, Philadelphia.

APR 11. Participates in The Sixth Biennial Exhibition of Contemporary American Paintings at The Virginia Museum of Fine Arts, Richmond.

APR 12. Willem de Kooning’s first one-man exhibition opens at Charles Egan Gallery.

JUL. Tworkov joins the faculty at The American University, Washington, DC, returning each summer until 1951. His one-man exhibition opens at The Watkins Gallery, The American University.

AUG.  Tworkov’s Process in Art, the artist’s first critical writing, is published in Right Angle. “An artist tries to maintain within himself,” Tworkov writes, “a center that is inviolate. He marks out an area from which he tries to keep out the world. It is a listening post for interior communication; his redoubt against the outside. There he brings together all the strength and original force he can to the solution of his problem.” (Jack Tworkov. “Process in Art,” Right Angle, August 1948, vol. 2 no. 5. )

SEPT.  Participates in an exhibition at Pan American Union, organized by American University with the intent to circulate throughout countries of Latin America.  The exhibition opens in Puerto Rico in November.

OCT.  Takes a studio on the second-floor, across the hall from Willem de Kooning’s studio, in an old storefront at 85 Fourth Avenue. When one arrived at the top of the stairs, Tworkov’s studio was on the left and de Kooning’s studio was on the right. The two artists’ close association, discussion and exchange of ideas, factor into both artists’ development well into the early 1950s. Anyone visiting Tworkov passed by de Kooning’s open door. Tworkov would maintain this studio until 1955.

OCT 22. Tworkov’s first one-man museum exhibition opens at Baltimore Museum of Art.

“I toy with the idea that maybe the only way to break down the walls of familiar experience is through a re-experience of the familiar.” (Jack Tworkov. “Paintings by Jack Tworkov,” Baltimore Museum of Art, October 22-November 30, 1948, exhibition brochure.)

1949

Becomes a founding member of the Eighth Street Club, which becomes the meeting place for the artists of the New York School. Tworkov remains active in the Club through 1954. He participates on panels and records the events and discussions in his journals.

JAN 23. Participates in The One Hundred and Forty-fourth Annual Exhibition of Painting and Sculptureat the Pennsylvania Academy of the Fine Arts, Philadelphia.

MAR 27.  Participates in The Twenty-first Biennial Exhibition of Contemporary American Oil Paintingat the Corcoran Gallery of Art, Washington, D.C.

OCT 17.  Second one-man exhibition at the Egan Gallery opens. “Jack Tworkov emerges from his third New York show as one of the most masterful artists of his generation now at work in America,” reports Thomas Hess, “ the spontaneous calligraphy that loops over his waving textures has a sureness…that comes only from complete mastery… [expressed in] statements at once reticent and eloquent…” (Thomas B. Hess. “Reviews and Previews: Jack Tworkov at Egan,” Art News, vol. 48, November 1949, p. 44.)

1950

Tworkov begins to develop a mature style; spontaneous flame-like brushstrokes defined by grid.

JAN 23. Barnett Newman’s first one-man exhibition opens at Betty Parsons Gallery.

APR 21-23.  Historic Artists’ Session held at Studio 35 at 35 East Eighth Street in Greenwich Village. Artists meet to discuss the current status of art in New York. In attendance are Janice Biala, Louise Bourgeois, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Ad Reinhardt, among others. Gottlieb suggests that the artist protest the juries selected for the Metropolitan Museum of Art’s national contemporary art competition.

MAY.  Participates in a group exhibition at Egan Gallery which includes “expressionistic nonfigurative” works by de Kooning, “geometrical variations” by Cavallon and Albers, and “figure studies,” by Tworkov and de Niro. (Stuart Preston. “Diversity Modern: An Italian Contemporary And Americans,” The New York Times, May 21, 1950.)

MAY 22. The open letter, signed by a few of the participants at the Artists’ Session, and protesting the Metropolitan Museum of Art for its anti-abstract bias in the selection of painters for the exhibit American Painting Today 1950 is published in The New York Times. “”18 Painters Boycott Metropolitan; Charge ‘Hostility to Advanced Art.’” This group would later become known as the Irascibles.

JUN 12-JUL 29.  Tworkov returns on faculty for the third summer at The American University, Washington, DC.

OCT 16. Franz Kline’s first one-man exhibition in New York opens at Charles Egan Gallery.

NOV.  Art News publishes Tworkov’s essay The Wandering Soutine (Jack Tworkov. “The Wandering Soutine.” Art News, November 1950, vol. 47, no. 7, pp 31-33, 62). The essay has a major effect on the re-evaluation of Chaim Soutine’s work as interpreted by a contemporary painter. The essay connects abstract expressionism to modern European painting and advances the appreciation of figurative abstraction of Soutine’s work among his contemporaries, especially de Kooning (see Mark Stevens and Annalyn Swan. de Kooning: An American Master. New York: Alfred A. Knopf, 2004, p. 312).

NOV 25. Participates in the Fourth Annual Exhibition of Contemporary American Painting at the California Palace of the Legion of Honor, San Francisco, CA.

DEC 8. Metropolitan Museum of Art opens the controversial exhibition American Painting Today 1950.

1951

Viking Press publishes Abstract Painting: Background and American Phase by Thomas B. Hess. Tworkov’s painting Flowering White (1949) is illustrated.  Tworkov illustrates children’s book The Camel Who Took a Walk written in collaboration with his life long friend, Roger Duvoisin, and published by Dutton Children’s Books (reprinted 1974 by Dutton and again in 1989 by Puffin).

JAN 15. Life Magazine publishes Nina Leen’s photograph of The Irascibles. Headline: “Irascible Group of Advanced Artists Led Fight Against Show.”

MAR 17. The 1951 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings opens at the Whitney Museum of American Art. Tworkov exhibits a painting titled Figure.

MAY 14. Robert Rauschenberg’s first one-man exhibition in New York opens at Betty Parsons Gallery.

MAY 21. Tworkov participates in 9th Street: Exhibition of Paintings and Sculpture. His painting The Sirens hangs between a sculpture by David Hare and a box by Joseph Cornell. Jack Pollock’s Number 1, 1949, installed vertically to accommodate the space, hung next to Tworkov’s painting. Tworkov plays a vital role in organizing the exhibition that includes sixty-one artists many of which later become leaders in Post War American Art including de Kooning, Franz Kline, Lee Krasner, and Robert Motherwell.

DEC 26.  American Vanguard Art for Paris Exhibition opens in which Tworkov is one of twenty painters featured. Organized by the Sidney Janis Gallery for Galerie de France, with a purpose to “present to the Parisian art-going public a selection of the work of the most advanced painters in the United States,” (Press Release. Sidney Janis Gallery, New York, December 1951). the exhibition previews at Janis Gallery then travels to Galerie de France. The exhibit includes de Kooning, Gottlieb, Guston, Hofmann, Kline, Motherwell, Pollock, Reinhardt, and Tobey.

1952

The Museum of Non-Objective Painting changes its name to the Solomon R. Guggenheim Museum. Tworkov’s first museum purchase:  Green Landscape (1949) is acquired by The Baltimore Museum of Art.

JAN 18. Tworkov participates in panel at the Club entitled Expressionism I. Other panelists include William Baziotes, Philip Guston, Thomas B. Hess, Franz Kline, and Ad Reinhardt with Harold Rosenberg as moderator.

FEB 22. Tworkov participates in panel titled Conversation with Lionel Abel. Other panelists include Philip Guston, Willem de Kooning, Franz Kline, and James McNeil with Mercedes Matter as moderator.

MAR 3. Tworkov’s third one-man exhibition at Charles Egan Gallery opens. An after party following the opening is held at the Club.

MAR 15. Participates in Twenty-third Exhibition of Contemporary American Oil Paintingsat Corcoran Gallery of Art, Washington, D.C.

MAY 6. Participates in the Society for Contemporary American Art Exhibition, The Art Institute of Chicago, IL.

JUL. Visiting faculty, Black Mountain College, Asheville. Begins a series of paintings titled “House of the Sun” inspired by the theme of the Odyssey. Students include Fielding Dawson, Joe Fiore, Dan Rice, and Dorothea Rockburne. Renews his friendship with Robert Rauschenberg.

AUG. John Cage’s Theater Piece No. 1is performed at Black Mountain College. It would later be recognized as the first “Happening.”

OCT 16. Participates in the 1952 Pittsburgh International Exhibition of Contemporary Paintings, The Carnegie Institute, Pittsburgh.

NOV 6. Participates in the 1952 Annual Exhibition: Paintings, Sculpture, Watercolors, Drawings, Whitney Museum of American Art, New York.

DEC. Harold Rosenberg’s essay, The American Action Painters, by is published in Art News. It is Rosenberg’s first influential essay as an art critic.

1951

Participates in a symposium at the University of North Carolina with Philip Guston, Franz Kline, George McNeil, the art dealer Charles Egan.

1954
SPRING. “A new stature appears in Tworkov’s work… We confront a fully mature painter who has forsaken the interpretation of the visible world in order to discover and record an abstract reality, subtle, elusive, fragmentary, of his own making… he is at home in the realm of sensation, ambivalence, nuance.” (Sawin, Martica.  “Fortnight in Review: Jack Tworkov,” (Egan Gallery), Art Digest 28(April 1, 1954), pp. 20-21)
SUMMER. Teaches at Indiana University, Bloomington.

OCT-NOV.  Visiting Artist, University of Mississippi, Oxford, MS.

1955-60

Teaches once more at Indiana University in the summer of 1955. Teaches life drawing at Pratt Institute, Brooklyn, NY.

1956
MAY 12. Mother dies.
1957

APR 15. One-man exhibition opens at Stable Gallery in New York.

FALL. Teaches at University of Minnesota, Minneapolis.

NOV 26. Presents a lecture titled “Art Against Art” at the Walker Art Center, Minneapolis, MN.

DEC 1.  One-man exhibition opens at Walker Art Center, Minneapolis, MN.

1958

Participates in Documenta II, Kassel, Germany.

MAR 15. Nominated to the National Institute of Arts and Letters, New York.

MAY. Participates in The New American Painting at the International Program of the Museum of Modern Art, New York; this show travels to eight different countries including Switzerland, Italy, Spain, Germany, France and United Kingdom.

FALL. Purchases a house on the West End of Provincetown (30 Commerical Street). Tworkov and his family would continue to summer there until his death in 1982.

1958-1963

Annual one-person exhibitions at Leo Castelli Gallery, New York.

1960

MAR 28. At the invitation of Harold Rosenberg, participates in panel series “Conversations with Artists: The Concept of the New,” which includes Philip Guston, Robert Motherwell, Ad Reinhardt and Harold Rosenberg at the Philadelphia Museum College of Art.

JUL. Visiting Artist at the University of Wisconsin at Milwaukee.

1961

MAR.  Visiting artist at University of Illinois, Urbana.

SPRING.  Visiting artist at the School of Art and Architecture, Yale University, New Haven, CT.

1963

JAN.  Recipient of first William A. Clark Prize accompanied by Corcoran Gold Medal, 28thBiennial Exhibition of American Painting, Corcoran Gallery of Art, Washington, DC. Of the award, critic John Canaday writes: “As far as this critic is concerned, the jury must have been awarding Mr. Tworkov a service medal on the basis of good behavior points accumulated over the years, for his art is certainly as dry, obvious, and derivative as the [New York] school affords.” (Canaday, John. “Big Art Exhibitions Enshrine Tested Tastes: Two Shows Honor the Established and Traditional,” The New York Times-Western Edition, Monday, January 21, 1963).

SPRING.  Named William C. Leffingwell Professor of Painting, Yale University School of Art and Architecture, New Haven, CT.

JUL.  Appointed Chairman of the Art Department of the Yale School of Art and Architecture. A post he would hold until 1969.

“The respectability that the New York School of abstract expressionist painting has achieved was evidenced by the appointment, on July 1, 1963, of Jack Tworkov, one of its leaders, as chairman of the art department of the Yale School of Art and Architecture, which was founded in 1866 and is the oldest art school on any American campus.”  (Current Biography. March 1964, vol. 25, no. 3, pp. 37-39)

Receives MFA In Privatum, Yale University, New Haven, CT.

1964
Whitney Museum of American Art, New York, mounts retrospective of his work, which subsequently travels in the United States.
mid 1960s

A dramatic change in Tworkov’s paintings appears.  Geometric emphasis emerges; gestures become increasingly controlled. Dark grays and subdued pastels are used.

“He (Tworkov) moved away from the spontaneous automatic gestures of Abstract Expressionism and instead began to work with a more disciplined, systematic approach based on carefully thought-out geometric relationships.  This ‘diagonal grid’ as he called it, became the basic element of his work.”

(Kroeter, Steven W.  “An Interview with Jack Tworkov,” Art in America (November 1982), pp. 82-87.

1969

Named William Leffingwell Professor of Painting; Emeritus, Yale University School of Art and Architecture.

Late-1960s

Geometric structure of works based on diagonals and abutting angles; strong color reintroduced.

1970

Receives John Simon Guggenheim Fellowship Award (Fine Art-Painting), New York, NY.

1970-71
Appointed to the Museum Advisory Panel of the National Endowment for the Arts.
1971
FEB 5. One-man exhibition at Whitney Museum of American Art, New York, NY.

FEB 13. One-man exhibition opens at French and Company, New York, where he meets Nancy Hoffman, who is an assistant director at the gallery and would later open her own gallery.

MAY. Mentor and colleague, Karl Knaths, dies in Hyannis, MA; obituary is printed in ARTnews.

Receives Doctor of Fine Arts, Maryland Institute of Art, Baltimore.

FALL. Spends six weeks in Europe, visiting Pompei. Tworkov is especially interested in the use of geometry in the Roman and Greek art of the period. Visits Arrezzo to see the work of Piero. Visits Assissi to see the work of Giotto. Returns to New York on Jan 5, 1972.

1972

JUNE 6.  Receives Doctor of Humane Letters, Columbia University, New York, NY. Others honored include film maker Alfred Hitchcock.

SUMMER.  Artist-in-Residence, American Academy, Rome.

1973

SUMMER.  Visiting Artist, Columbia University, New York.

WINTER.  Artist in residence, Dartmouth College, Hanover, NH.

1974

MAR 16.  First exhibition at Nancy Hoffman Gallery opens in New York. Tworkov would continue exhibiting at the gallery through the 1970s.

MAR 18-28.  Artist in Residence, Northeastern Missouri State University, Kirksville, MI.

Visiting Critic, Royal College of Art, London

MAY. Receives Painter of the Year Award, Skowhegan School of Art, ME. Others honored include His Holiness Pope Paul VI and Michael Heizer.

1975-76

Appointed Andrew Carnegie Visiting Professor of Art, Cooper Union School of Art, New York.

1975

Visiting Professor, New York Studio School.

1976

Awarded Distinguished Teaching Art Award, College Art Association of America, New York.MAY.  Exhibits in The Golden Door: Artist-Immigrants of America, 1876-1976,Hirshhorn Museum and Sculpture Garden, Washington, DC.

NOV 29-DEC 9. Artist in Residence, Indiana University of Pennsylvania.
WINTER. Visiting artist, University of California, Santa Barbara.

1978

NOV 28. Lectures at Montclair Art Museum, NJ, as part of The Artist Speaks Series.

1979

SPRING. Visiting Artist, California State University, Long Beach, CA. A concurrent exhibition is held at Jan Baum-Iris Silverman Gallery.

Awarded Honorary Degree, Rhode Island School of Design, Providence, RI.

MAY. One-man exhibition Jack Tworkov: Paintings 1950-1978 opens at Third Eye Centre, Glasgow, show travels throughout Scotland and England.

NOV 12-14. Visiting Artist. Spokane Falls Community College, Spokane, WA.

1981

MAY 20. Elected member American Academy and Institute of Arts and Letters, New York.

1982
Begins work on his last painting: Compression and Expansion of the Square.

MAR. Designs poster for the 1982 Chicago International Art Exhibition.

APR. Jack Tworkov: Fifteen Years of Painting opens at The Solomon R. Guggenheim Museum, New York, NY.

SEPT 4.  Tworkov dies at his home in Provincetown, MA.  Obituary written by Michael Brenson appears in The New York Times.

1983
Notable Posthumous Events and Exhibitions

JUL. Provincetown Art Association opens Jack Tworkov: In Memoriam, at Richmond Gallery, Provincetown, MA.

NOV. Jack Tworkov a Memorial Exhibition opens at the American Academy and Institute of Arts and Letters, New York, NY.

1985
APR. Adams Middleton Gallery opens a retrospective exhibition titled Jack Tworkov: 1900-1982, Dallas, TX.
1987
JAN 30. Pennsylvania Academy of the Fine Arts mounts retrospective Jack Tworkov: Paintings, 1928-1982, Philadelphia, PA. Exhibition is curated by Richard Armstrong.
1990-1995
Annual one-person exhibitions, André Emmerich Gallery, New York.
1991
FEB 7. André Emmerich Gallery opens exhibition Jack Tworkov: Paintings from 1930 to 1981, New York, NY.MAY 28.  Tworkov’s wife, Rachel ‘Wally’ Tworkov dies.
1994
FEB 2. Jack Tworkov, 1935-1982: An Abstract Expressionist Inventing Form, curated by Alston Conley, opens at Boston College Museum of Art, Chestnut Hill, MA.
2000
Annual one-person exhibitions, Mitchell-Innes and Nash Gallery, New York.
JUN. American Contemporary Art Gallery opens Jack Tworkov: Works from 1940-1966, Munich, Germany. This is marks the first one-man exhibition of the artists work in Germany.
2005
Exhibits in Ecole de New York: Expressionnisme abstrait Americain, Musee d’Art Moderne, Nice, France.
2006
APR 21. Jack Tworkov: 1929-1949an exhibition focused on the early work of the artist opens at the Valerie Carberry Gallery, Chicago.

JUN 22. The New Landscape / The New Still Life: Soutine and Modern Art, curated by Maurice Tuchman and Esti Dunow, opens at Cheim & Read, New York. Tworkov’s paintings and writings are featured.

2009
APR 3. Jack Tworkov: Woman, paintings and works on paper, 1945-1949opens at Valerie Carberry Gallery. The exhibition takes an in depth look at Tworkov’s figurative painting of the late 1940s.
AUG 13. Jack Tworkov: Against Extremes, curated by Jason Andrew, opens at the UBS Art Gallery. The exhibitions marks the first retrospective exhibition of the artist’s work to ever be held in New York City. The exhibition travels to the Provincetown Art Association and Museum (Jul 2010).
OCT. Extreme of the Middle: Writings by Jack Tworkov, edited by Mira Schor, is published by Yale University Press. The book launch is hosted at The Solomon R. Guggenheim Museum.
2011
JUN 17. Jack Tworkov: The Accident of Choice, curated by Jason Andrew, opens at the Black Mountain College Museum and Arts Center. The exhibition features work from late 1940s to 1952 with concentration on the summer Tworkov taught at Black Mountain College.